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Installation view. Cauleen Smith: Give It or Leave It, 2018. Photo: David Hunter Hale for the ICA at VCU

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Installation view. Cauleen Smith: Give It or Leave It, 2018. Photo: David Hunter Hale for the ICA at VCU

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Installation view. Cauleen Smith: Give It or Leave It, 2018. Photo: David Hunter Hale for the ICA at VCU

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Sojourner (production still), 2018. Color, sound, in progress. All works courtesy the artist, Corbett vs. Dempsey, Chicago, and Kate Werble Gallery, New York.

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Cauleen Smith: Give It or Leave It

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Cauleen Smith: Give It or Leave It

Feb 16, 2019 – May 5, 2019

Gallery 1 Ι Beverly W. Reynolds Gallery

This solo exhibition of film, video, and sculpture by filmmaker and artist Cauleen Smith (b. 1967) fills the ICA’s Beverly W. Reynolds Gallery and reaches into the adjacent Royall Forum with an overlapping series of immersive installations. Taking its title from a revision of the phrase “take it or leave it,” Give It or Leave It cultivates a spirit of generosity, hospitality, and selflessness, and proposes a new rule for a better world: creating something, offering it, and gifting it, regardless of recognition, acceptance, or rejection.

Establishing the thematic core of the exhibition are two new films—“Pilgrim” (2017) and “Sojourner” (2018)—that navigate four distinct universes: musician Alice Coltrane (1937–2007) and her ashram; a 1966 photo shoot by Billy Ray at the Watts Towers; Noah Purifoy (1917–2004) and his desert assemblages; and Black spiritualist Rebecca Cox Jackson (1795–1871) and her Shaker community. For Smith, each of these sites embodies an act of creativity and radical generosity rooted in current events and social communities, allowing her to reimagine a future that is Black, feminist, spiritual, and unabashedly alive.

Give It or Leave It places these films in conversation with thematically related projects. These include “Two Rebeccas” (2018), in which footage projected onto an assemblage of disco balls fractures across an expanse of shag carpet and artist-designed wallpaper, and “Epistrophe” (2018), in which multi-channel projections of dreamlike landscapes are generated by closed-circuit cameras trained on an elaborate table-top tableau. Smith also will intervene directly in the Markel Center’s architecture with a new site-specific application of colored film gels to exterior windows, which will temporarily bring new hues to the building’s facade and create shifting pools of color within interior spaces as light moves across the building.

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Cauleen Smith: Give It or Leave It is organized by the Institute of Contemporary Art, University of Pennsylvania, and is curated by Daniel and Brett Sundheim Chief Curator Anthony Elms. Support for Cauleen Smith: Give It or Leave It has been provided by the Ellsworth Kelly Award. Additional support has been provided by B.Z. & Michael Schwartz, Meredith & Bryan Verona, and Susan Weiler.

The exhibition is coordinated at the ICA at VCU by Assistant Curator Amber Esseiva, Adjunct Assistant Curator of Film Enjoli Moon, and Chief Curator Stephanie Smith.